The performance was set in the beautiful Cathedral of Trees, a very tranquil setting with trees planted in the architectural footprint of Norwich Cathedral. A combination of dance and live music, with a community cast of over 100 dancers and musicians, Under the Vaulted Sky was breathtaking.
Over the course of the performance you are guided through the Cathedral, entering different sections, sitting for a while to watch groups of children present delicate leaves in wooden boxes filled with grass, walking the length of the tree cathedral as bells ring and dancers with bells attached to their dresses tinkle as they run by…
The use of music, composed by Terry Mann, and sound is very cleverly crafted throughout. Each cast member has a bell for the opening sequence. Dressed in red gowns the dancers, nymph-like, seem to invoke the air around us, combining movement and the ringing of bells to move the air and bring the sense of the cathedral to life. Just as you feel the weight of history around you in a stone cathedral, here you feel emotions well inside you as the sheer beauty and simplicity of the piece overwhelms you.
We were then led through to the cloisters where children presented us with golden leaves as gongs and drums are played to the rhythm of the dancing. The whole audience of around 100 people sits quietly, not saying a word, taking in everything that is happening.
Being led through the archway around the outside of the cathedral to come in at the top we pass through members of the cast. This for me was the most moving part. With bugles being played in the distance the dancers would walk up to members of the audience as they passed, whispering about pathways to the stars and handing these pathways as tokens of small circular mirrors… This gave you a moments reflection before heading back into the cathedral.
In the chancel we are surrounded by dancers being crowned with gold hands as brass instruments play fanfares, before being lead back down the cathedral under golden books suspended in the treetops. At the crossing we disperse to the sides as dancers open gold sheets, dressing the trees. Finally the dancers line the way out with their eyes closed, in a world of their own, ethereal…
This delicate performance invoked both the strength of the cathedral and the fragility of the bells to enclose the audience in it’s atmosphere. There is a poignancy in the gold, the music, the movement… But it is up to each to experience it in their own way.